Last edited by CAMBRIDGE UNIV PRESS
27.06.2021 | History

1 edition of GREAT WAR AND MEDIEVAL MEMORY: WAR, REMEMBRANCE AND MEDIEVALISM IN BRITAIN AND GERMANY, 1914-1940. found in the catalog.

GREAT WAR AND MEDIEVAL MEMORY: WAR, REMEMBRANCE AND MEDIEVALISM IN BRITAIN AND GERMANY, 1914-1940.

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        StatementCAMBRIDGE UNIV PRESS
        PublishersCAMBRIDGE UNIV PRESS
        Classifications
        LC Classificationsnodata
        The Physical Object
        Paginationxvi, 111 p. :
        Number of Pages98
        ID Numbers
        ISBN 100521854156
        Series
        1
        2STUDIES IN THE SOCIAL AND CULTURAL HISTORY OF MODERN WARFARE; 23
        3

        nodata File Size: 7MB.


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GREAT WAR AND MEDIEVAL MEMORY: WAR, REMEMBRANCE AND MEDIEVALISM IN BRITAIN AND GERMANY, 1914-1940. by CAMBRIDGE UNIV PRESS Download PDF EPUB FB2


In both countries, the survivors of the Great War pictured the conflict as the 'Last Crusade' and sought consolation in imagery that connected the soldiers of the age of total war with the knights of the Middle Ages.

On 2 October 1935, the anniversary of Hindenburg's birthday, the President's bronze coffin was relocated to a new, sombre chamber where he was joined by his wife Gertrud, who was moved from the family plot in. Studies in the Social and Cultural History of Modern Warfare.

app.trybaker.com: The Great War and Medieval Memory: War, Remembrance and Medievalism in Britain and Germany, 1914–1940 (Studies in the Social and Cultural History of Modern Warfare, Series Number 23) (9780521854153): Goebel, Stefan: Books

While victory meant cultural closure, defeat left a symbolic vacuum that the nationalists attempted to fill. His speech was deemed highly nationalistic and in keeping with the times for thebut was not well received outside Germany since it denied German responsibility for the war. Mission and defence: the nature of the conflict; 3. It seeks to answer the question why war remembrance in Britain was markedly different from the French and German models described by Prost and Mosse respectively.

The octagonal layout with eight towers, each 20 metres high, was influenced by 's and. 27 Adrian Gregory's powerful The Silence of Memory, an exploration of the British Armistice Day REMEMBRANCE AND MEDIEVALISM IN BRITAIN AND GERMANY between 1919 and 1946, uses comparison as a heuristic tool. The elevation of the dead, Bushaway points out, inhibited criticism of Britain's social and political constitution.

Dismantling [ ] A sculpted lion, which once topped an 8-metre 26 ft pyramid near the monument, is now displayed in In the spring of 1949, the Polish government ordered the dismantling of the remains of the monument — although enough remained for scavengers to continue recycling into local projects.